Grant Green I-VI-ii

You can hear Grant Green play something like this on "Blues For Juanita" from his 1962 Blue Note LP The Latin Bit. As far as I can tell, as the one non-Latin groove from the day's recording, "Blues For Juanita" was left off the original release...

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Kenny Burrell I-VI-ii Doubletime

At some point about a year ago, I got really annoyed that I knew almost nothing about Coleman Hawkins except how large he loomed in the history of jazz and how important he was to the development of the tenor saxophone. So I went off hunting down...

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Stanley Turrentine I-VI-II

More Stanley Turrentine! The G7 altered part of this lick does not sit quite so obviously on the guitar but with a little doing it can start to make sense.

Generally speaking, it's pretty clear what Turrentine is thinking over each chord, but in...

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Red Holloway I-VI-II

hard bop blues licks Aug 31, 2018

This week, a lick inspired by the work of tenor saxophonist Red Holloway. Just like I got hip to Jimmy Forrest's badass command of the changes by hearing him on Jack McDuff's The Honeydripper – an album I picked up because it featured Grant...

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Stanley Turrentine I-IV

hard bop blues licks Aug 24, 2018

Stanley Turrentine played plenty of blues on plenty of albums, especially in the first part of his career on Blue Note. For maximum exposure to the twelve-bar form it's hard to beat his 1962 Release That's Where It's At, featuring Les McCann (of...

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Tina Brooks I-IV

hard bop blues licks Aug 17, 2018

I've been yelling about Tina Brooks for the past few weeks, so I thought it was time to (A) figure out a few of his licks myself and (B) show you what I'm talking about. So here's a short lick that will take you from the I chord to the IV chord,...

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Tommy Flanagan Doubletime

 
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